However, Garland's latest film Men is a little bit different from his other works as a director in that it tones down the sci-fi and tones up the horror. Garland's official directorial debut Ex Machinais especially noteworthy as it not only won a Best Visual Effects Oscar in the same year as Mad Max: Fury Road and Star Wars: The Force Awakens but also became a quintessential entry in the sci-fi genre. While he initially garnered attention as a novelist in the 1990s, Garland would later write screenplays for several critically acclaimed genre films before making his way into directing. If you're willing to fully bask yourself in Anderson's particular rays of Moon-light, the payoff is worth a king's ransom.Many film fans are likely familiar with the name Alex Garland. Like a seasoned troupe, the actors - young and old - comprise this Kingdom equally.
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Despite boasting a marquee cast chock full of bona fide movie stars, Bruce Willis, Ed Norton, Bill Murray, Frances McDormand, Jason Schwartzman, Tilda Swinton beautifully fall into the fabric of this tale and never once overshadow their young players. The fact that Moonrise Kingdom takes place from a kid's eye-view (as opposed to Rushmore, which took place from an eccentric kid-beyond-his-years) makes this Anderson film a unique confection, tender and warm even amidst the storminess. In this PG-13-rated 1960s-set dramedy, two young lovers (Jared Gilman, Kara Hayward) make a pact and run away into the wilderness, riling the local townspeople intent on finding them before a violent storm touches down. It's a wondrously whimsical world painstakingly brought to life with specific brushstrokes and amazing performances. This warning seems more the case with this film than any of his others. You have to trust his quirky vision by jumping in - not slowly dipping your toes to find the right temperature.
especially if you're a fan of this writer/director's life Quixotic. Truthfully, this is not the auteur's best work since Rushmore (that would be Royal Tenenbaums and Grand Budapest Hotel), but it hits a lot of the right notes. However, it's a sweet film and Anderson's style is impeccable.Ī fantastically watchable coming of age story, the moon of wonderment never sets in Wes Anderson's fascinating misadventure. It's a shame, wish it was longer so that the plot development could take its time. It took so long for me to catch up and become invested that the short runtime of 94 minutes was nearly over. It was intimidating! Like an onslaught of quirkiness. Right from the start, you are thrown in straight away with about 47 characters (completely accurate.) and a geography lesson of the island. I found myself somewhat disengaged until about halfway through. Whilst all the above is all plain sailing, my major issue was with the narrative. I love how it purposefully look like it's built for a stage show as opposed to a cinematic piece, there is something so idiosyncratic about Anderson's choice of style that just makes it wonderful. I'm sure back in our youth we all fell in love with a crush and wanted to run away from everyone.no? Just me then. The awkward yet loving chemistry between our two young leads was moulded with care and tenderness that I found somewhat relatable.
Our typical Anderson cast (Norton, Swinton, Keitel, Murray etc.) are all here again and give great performances. It's a basic plot but the animated characters and young performances help reinvigorate this exhausted genre. We follow two 12 year olds who fall in love and plan to run away, but various authorities attempt to track them down. The stages built for those scenes just ooze design excellence and I have to admire the simplicity. The centralisation of characters and objects with the camera, the still shots of the excellent production design, the side track panning as characters walk along and a nice 360 degree scene within a house. His direction is so quirky that it's hard not to fall in love with it. That talent mostly being Wes Anderson who has crafted an authentic drama with some contemporary flavours.
Moonrise Kingdom is a sweet heartwarming coming-of-age comedic drama that showcases some great talent.
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